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Question
a review of the art works (Nari Ward, Iron Heavens, 1995.) and exhibition (Nari Ward, we the people, new museum) and should highlight the curatorial premises of the exhibition. see material attached
Nari Ward, Iron Heavens, 1995.
Basic info
https://www.newmuseum.org/exhibitions/view/nari-ward-we-the-people
Answer
Nari Ward has an impeccable approach to art. He knows how to relate his artistic works to the world and challenge the perception of viewers on experiences and objects. “Nari Ward: We the People,” comprises more than thirty paintings, sculptures, installations, and videos. Ward’s installations and sculpture are indications that people can make art out of anything. Helga Christoffersen, Gioni and Gary curated the ideas of the exhibition. Ward created his art from materials acquired from streets like shopping carts, fire horses, bottles, baby strollers and cooking trays. These objects create a personal effect on individuals because of their mundanity and importance. Ward used “Iron Heavens” as a visualization to create a sky from a combination of pans.
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The curatorial aspects of Ward’s exhibitions are deeply influenced by his innovative ideas and research. Ward managed to look into America’s history and curate his art to capture people’s ideas and feelings of the real world. The artworks and objects are developed intentionally to allow room for interpretations. The exhibitions are organized neatly and artifacts arranged properly for easier recognition by viewers. The chosen positions of the arts and installations are such that they attract people’s attention, which is an indication of excellent curating skills. The curatorial premises of Ward’s exhibition play a vital role in passing information to the public.
The salient message passed by “We the People” artwork borrows its essence from America’s constitution preamble. The word “we” in the artwork therefore represents everyone under the Constitution’s protection. Nari Ward uses his art to demonstrate the impacts of gentrification on democratization in the United States. On the other hand, bats and pans in “Iron Heavens” symbolize violence with the imagery borrowed from ancient traditions. Forms such as sculptures and architecture, along with language, may have been used to express power, identity and other factors that form the basis of people’s sense of belonging. He also addresses social issues affecting Americans through his curators’ creativity and innovation.
